235 results for "Worth Lithograph" between $10.00 and $800.00

Since 1999, Kelly Rightsell and her company have been unlocking a world of leaping frogs and dancing dogs to children of all ages. Kelly's artistic inspirations stem from many aspects of her life including her family, her travels abroad and her experiences as a Southern artist. As a child, she would spend hours bringing to life her colorful pets through her drawings and now she can share these furry creations with others. Kelly's two major influences on her artwork have been her children and her...

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

Your tins date from the 1920s to 1930s. Many of our ancestors (great recyclers!) reused objects such as lithograph tea or tobacco tins to hold sewing supplies and other small household objects. However, condition is critical to value, and these boxes are too damaged to attract collector interest. Yet their weathered look does have decorator appeal! I’d value the New York and English tins at $10 to $12. The Russian tin is valued between $15 and $18; although in lesser condition, its scarcity, especially...

Artist Comments: “Have you ever had someone you love go astray? Perhaps they continuously make poor choices which have lead to great sorrow and difficulty. Perhaps it is no fault of their own. We may find that all we can do is pray that the Lord will help them. These lost sheep may find themselves feeling abandoned and unloved. But the Savior has told us that He is the Good Shepherd and every soul is of great worth. He will leave the flock to find the one. For me this little black lamb represents...

Beautifully printed certificate from the Western National Bank issued in 1906. This historic document was printed by Dorsey Lithograph and has an ornate border around it with a vignette of an eagle perched upon a shield and peace branches. This item is hand signed by the Company's President ( W. H. Eddleman ) and Secretary and is over 98 years old. The certificate was issued to James M. Radford.

Technical Specs Dimensions: 11" x 17" This Marilyn Monroe and Sammy Davis, Jr. — Set of How to Marry a Millionaire 1953 photo by Frank Worth is surreal. Next to the fair-haired, glorious Marilyn with her elegant pose is Sammy Davis, Jr. kicking his heels up, all dark and dashing and spontaneous. This is Hollywood in 1953 and Frank Worth was a master at capturing what a casual observer would not have been privy to. This image is part of a remarkably rare and highly valuable collection of negatives...

Worth Toxic Lite TXL130B Softball Glove

Technical Specs Dimensions: 11" x 17" Many photographers were invited to take photos of the scene of Billy Wilder and Marilyn Monroe — on the Set of 7-Year Itch in 1955. A little known fact: Joe DiMaggio objected to Marilyn's panties being seen, so she concealed them during this photo shoot except for what photographer, Frank Worth captures. Worth had the only "panty" photo known in existence with Billy Wilder and Marilyn Monroe. He released that photograph only once, for the front page of the Hollywood...

Worth Sinister Lithium (34") (EA)

Worth 15600 Swivel Pulley

Worth 2010 Toxic -8 Fastpitch Softball Bat

Worth Liberty Batting Helmet/Mask Combo - Women's

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

Technical Specs Dimensions: 11" x 17" This Marilyn Monroe — Set of How to Marry a Millionaire 1953 photo by Frank Worth has an exclusive feel to it. Ahhh, Marilyn. Her beauty has never been so approachable than in Mr. Worth's personal collection. She looks like a real girl's girl. This is Hollywood in 1953 and Frank Worth was a master at capturing what a casual observer would not have been privy to. The remarkably rare and highly valuable collection of negatives that were accumulated over a period...

Technical Specs Dimensions: 11" x 17" This James Dean — Post Set of Giant 1955 is a print by noted Hollywood photographer, Frank Worth. Worth captured and retained extensive collections of James Dean photographs, most of which have just been released. Worth never released his best photos. Some of his shots were to him as private as his personal life. He was a master at capturing what a casual observer would not have been privy to. This image is from the remarkably rare and highly valuable collection...

Technical Specs Dimensions: 11" x 17" This James Dean — Fence Set of Giant 1955 is a print by noted Hollywood photographer, Frank Worth. Worth captured and retained extensive collections of James Dean photographs, most of which have just been released. Worth never released his best photos. Some of his shots were to him as private as his personal life. He was a master at capturing what a casual observer would not have been privy to. This image is from the remarkably rare and highly valuable collection...

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...