276 results for "Worth Lithograph" between $10.00 and $800.00

Since 1999, Kelly Rightsell and her company have been unlocking a world of leaping frogs and dancing dogs to children of all ages. Kelly’s artistic inspirations stem from many aspects of her life including her family, her travels abroad and her experiences as a Southern artist. As a child, she would spend hours bringing to life her colorful pets through her drawings and now she can share these furry creations with others. Kelly’s two major influences on her artwork have been her children and her...

Product: Open Edition Lithograph On Paper

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

Your tins date from the 1920s to 1930s. Many of our ancestors (great recyclers!) reused objects such as lithograph tea or tobacco tins to hold sewing supplies and other small household objects. However, condition is critical to value, and these boxes are too damaged to attract collector interest. Yet their weathered look does have decorator appeal! I’d value the New York and English tins at $10 to $12. The Russian tin is valued between $15 and $18; although in lesser condition, its scarcity, especially...

Worth Gold Dot ASA ProTac Softball

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

About the Artist: “One good line in a Hirschfeld drawing is worth a thousand good words,” quipped Brooks Atkinson, whose respected words appeared alongside Al Hirschfeld’s likenesses on the theater pages of the New York Times. Acknowledging the artist’s awesome potency, Brenda Gill of The New Yorker notes: “To be a star on Broadway is to drawn by Hirschfeld.” “His portraits need no identifying labels,” stated Lloyd Goodrich, Director Emeritus of the Whiney Museum of American Art. “They are more like...

Artist Biography: The surreal images of Michael Hasted may at first baffle the viewer. Each image is a visual metaphor for some aspect of human behavior. In "Main Attraction" Hasted creates a theatrical setting and then focuses attention on the scenery, which we normally regard as having little importance except as "window dressing" for the play. In Hasted's world the scenery -- symbolic of nature and the stars -- occupies center stage, as if to remind us that the things truly worth looking at are...

WORTH A lot of people are suffering from what we like to call terminal uniqueness. You think that what you do is soooooo specialized and necessary that you're the only person in the world who could possibly do it. Turns out, there are lots of monkeys who can do what you do. Also turns out they'll do it for less money and generally be less annoying to the rest of the monkeys in the office. Remind us again why we keep you around? Your choice of either: Poster - a high-quality lithograph; 30 x 24 inches...

This 16 X 20 lithograph by Michael Mellett is a limited edition of 1000. It is printed on 80lb Howard Linen Cover Stock, signed and numbered by the artist. The final size of this double matted lithograph is 20 X 24. This lithograph is available in a ready-to-frame 20 X 24 double mat. The 20 X 24 matted lithograph is hand-crafted and assembled by our staff of professional framers using only the highest quality acid-free, beveled cut mat. This item can be displayed as is or framed in a standard...

Worth T12ASY Toxic Protac Softball - Men's

Center Load Endplug designed to allow greater barrel flexbility and 5% more ineria to drive through the ball CH50 Grip sting and vibration reduction for better feel 2 5/8 inch diameter barrel BBCOR .50 certified Length / Weight 34/31oz

Worth Toxic Prodigy Bat BBCOR (ABPBC)

Resmondo Loading Full Ounce offers the maximum end-load allowowed in any association and provides the hitter with the most bat speed throught the hitting zone of any one piece bat. 98 MPH Multi layer composite core designed to provide exceptional rebound and maximum durability 100% Composite-Barrel is made solely from composite material with Soft Touch Grip that provides ultra soft touch and maximum sting and vibration reduction. Approved by ASA, USSSA, NSA, ISA, ISF and all other associations Length...