66 results for "The Paul Butterfield Blues Band" between $5.00 and $150.00

Most 2nd and 3rd printings pertain to posters from the BG (Bill Graham poster series of 1966-71) and the FD (Family Dog poster series of the same time period). Once promoters realized that psychedelic art "collectors" were tearing down the posters advertising their concerts, additional printings had to be run in order to market the shows. Later versions of the posters were sometimes printed for hippie poster shops or to satisfy the poster artist with a changing artistic vision. Most poster printings...

Release Date: 2001-10-30, Vinyl, Sundazed Music Inc.

> The Paul Butterfield Blues Band/East West.

MacLean, Bonnie The Paul Butterfield Blues Band at the Fillmore Auditorium (Only Printing), 1967 13.9 x 21 inches (35 x 53 cm) Silkscreen Inventory #USC19977 Price: $115 Add to Cart View Cart Add to Wish List Print This Page Jump to tags

Orr, Norman The Paul Butterfield Blues Band at the Fillmore West (Only Printing), 1970 14 x 21 inches (36 x 53 cm) Offset Inventory #USC19854 Price: $75 Add to Cart View Cart Add to Wish List Print This Page Jump to tags

Paul Butterfield certainly had his demons. He abused alcohol, he became addicted to heroin, and he suffered from bouts of severe depression -- all of which eventually made him less productive than he could have been. Butterfield wasn't as visible or as consistent in the late '70s as he had been in the 1960s, but even so, the singer/harmonica player had some creative triumphs during that period -- and Butterfield is in very good form on this 68-minute CD, which focuses on a September 15, 1978 concert...

The Paul Butterfield Blues Band was one of the very best bands of 1960s, blues or otherwise. Butterfield was a gutsy singer with a beefy, Little Walter tone to his harmonica, and the band debuted with two gifted guitarists, Mike Bloomfield and Elvin Bishop, and a fine keyboard player, Mark Naftalin. Bloomfield played on the band's first two albums, which are well chronicled on the first of this two-disc compilation. "Born in Chicago" captures the band rocking, while "Blues with a Feeling" and...

Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s. His debut album, The Paul Butterfield Blues Band, saw him teaming up with guitarists Elvin Bishop and Mike Bloomfield, with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin playing organ. The result...

Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s. His debut album, The Paul Butterfield Blues Band , saw him teaming up with guitarists Elvin Bishop and Mike Bloomfield, with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin playing organ. The result...

Release Date: 2001-10-29, Audio CD, Rhino/Wea UK

At a time during the mid-to-late 60's when jazz was at a low point in terms of popularity, the Charles Lloyd Quartet managed to achieve significant crossover success. Bill Graham booked the group into his Fillmore Auditorium, Fillmore West and Fillmore East venues on numerous occasions, a sure sign that they had gained the approval of both Graham and the rock and roll fans that flocked to his venues.

The Fillmore West offered a Blues night with Graham-favorite Butterfield Blues and Blues-rockers Savoy Brown. Keith Relf, a singer with the Yardbirds, formed progressive-rock Renaissance to explore another musical direction. There was no subtlety in Singer's collage of the Brazilian port statue Christ addressing the hellish seas.

The Jefferson Airplane and Butterfield Blues Band helped draw the first-night crowd for blues-legend 'Big Mama' Mae Thornton. By the third and final night of her gig, however, word had spread, and fans needed no inducement to hear the original singer of "Hound Dog" and "Ball and Chain" belt out her music.

Promoters often created postcard versions of many of their concert posters and used them as promotional mailings. The postcards in Wolfgang's Vault are unique, small-format pieces of art that make a fascinating addition to any collection. Postcard

Conklin's plump puffs, a departure from his usual lettering, lulled the reader into finding Butterfield Blues Band and Santana in the clouds, then challenged him to discover Iron Butterfly, Initial Shock and Canned Heat in the landscape. Pointing fingers and that eyeball may come from the artist's "mission to translate my psychedelic experience onto paper."

BG030 is a notable departure from the established Wilson style: gone are the human form and lithe lettering. Featuring the Butterfield Blues Band, Jefferson Airplane and the Grateful Dead, the poster is almost Egyptian in its linearity and verticality and has more in common with Wilson's January Trips Festival handbill than it does with more recent work.