98 results for "Deerhoof" between $5.00 and $50.00

2011 release from the critically lauded Alt-Rock outfti. The musical equivalent of hormones raging out of control, it explodes out of the speakers with its gawky triumph and inflamed sentimentality. These are songs that practically demand that you dance and sing along (however elastic the rhythms, or abrupt the melodies). To document their musical "coming-of-age" the band members could only trust themselves. Besides their cover of an obscure Greek film soundtrack instrumental ("Let's Dance the Jet...

Initially released only in Japan and later in the U.S. via Menlo Park, Deerhoof's Green Cosmos EP shows off a less manic side of the...

Since Green Cosmos is so short, its eclectic sound doesn't stick around long enough to feel scattered. Instead, it just reaffirms Deerhoof's unspoken manifesto -- that music should be fun -- and offers a nice, bite-size portion of their crazy sweetness.

Deerhoof previewed Deerhoof vs. Evil by leaking the album one track at a time to websites all over the world -- a quirky and confident move, as well as a very Deerhoof one: though the acclaim surrounding the band has grown with virtually every album, Deerhoof haven’t sacrificed any of their avant-garde leanings for their high profile. The band returns, two and a half years after the all-encompassing Offend Maggie! , with its weirdest, poppiest, and most concise set of songs since Friend Opportunity...

I’ve heard a fan complain on first listen that this isn’t as adventurous as Deerhoof used to be, but to me it just sounds more focused and subtle, and they’ve added a second guitarist to fill out the textures. “More focused” doesn’t mean they don’t still draw influences and sounds from all over the map, though, from African guitar music to German prog to post-punk and more. It’s still impossible to guess what will happen from track to track, whether it will be a noisy explosion or cute or quirky...

"Ambient and direct, childlike and adult, hard-rocking and unapologetically esoteric Deerhoof`s play of elemental opposites is not a new concept, but perhaps they have found a new playing-out of its possibilities. The quartet`s new The Runners Four doesn`t rewrite their instantly recognizable sound. Hints of The Beatles still poke around the bright, sunshine-and-children`s-book imagery of vocalist Satomi Matsuzaki; monster drums still crash against wheezing organ clusters and raw, 1960`s power chords...

For Deerhoof , it's not too grand a title: This 16-year-old band, amazingly sounding as fresh and unpredictable as the day they were born, might make you think they're 12 different groups on 12 different songs, if not for the unifying vocal presence of bassist Satomi Matsuzaki . Old fans will also recognize the intensely melodic and furious guitar interplay between John Dieterich and Ed Rodriguez , if not the dazzling versatility—is there anything this band can't do?—on display. "The Merry Barracks...

Audio Mixers: Satomi Matsuzaki; Ed Rodriguez ; John Dieterich; Greg Saunier. Recording information: New Improved Recordings; Tiny...

With Deerhoof's fourth album, Halfbird, the San Francisco-based trio channeled their chaotic tendencies into actual songs without losing much, if any, of their playful absurdity and pummeling energy. Like Yoko Ono fronting the White Stripes, Deerhoof combines avant wordplay with bluesy, punked-out garage rock, with vocalist Satomi Matsuzaki teetering between inviting whispers and a patience-testing falsetto.

Deerhoof's songs universally portray a surreal, nightmarish place seen through the eyes of a child, as if Glenn Branca composed a soundtrack to "Where the Wild Things Are." Songs like "Queen of the Lake," "The Moose's Daughter" and "Crow" describe an interior landscape populated by shadowy, half-beast mutants, which are all given voice by Satomi. There are no songs about "relationships" or anything else vaguely connected to the sane world's agreement about what constitutes reality; this is the stuff...

You’ll get an email with a link to download 320k mp3s after your purchase is complete. DeerBazan is the latest in a series of collaborative 7”s featuring guest vocalists singing self composed lyrics and vocal melodies over a Deerhoof instrumental. Translucent blue vinyl. Mastered by TW Walsh. Side A features David Bazan singing an original vocal on Deerhoof’s “No One Asked to Dance” (from Deerhoof vs. Evil). Side B features Bazan’s re-working of the Headphones classic “Gas and Matches.” Ships via...

Unpredictability has never been so much fun! Deerhoof, the incredibly likeable trio from San Francisco, have continued to sound new and unpredictable since 1991. However, you can recognise a Deerhoof song after just a few bars, even if you aren't an age-old member of their ever growing fan-base. A possible contradiction? The contrast between the angelic vocals of Japanese front-woman Satomi Matsuzaki and the musical experimentation of the band is an obvious characteristic of Deerhoof's style. However...

The members of Deerhoof have also participated in a large number of projects outside of the band. Since before joining Deerhoof, Dieterich and Rodriguez have played in an instrumental group called Gorge Trio and released several albums.. Myspace. Retrieved on 2010-11-26. In 2008 Matsuzaki formed OneOne, a collaboration with Saya, singer and songwriter with the Japanese band Tenniscoats. This group often includes Saunier and Takashi Ueno. Their one CD was mixed by Saunier.. Myspace. Retrieved on ...

Self-recorded, mixed, and mastered in rehearsal spaces and band members' basements with no engineers or outside input, Deerhoof vs. Evil dresses up Deerhoof's wellknown recklessness in a newfound elastic groove -- one filled with big-hit choruses and exuberantly unfamiliar colors.

About In 2007, the 35W Mississippi River bridge collapsed and up until this summer much of the structure has set behind fences at a spot on the river called Bohemian Flats. Dan Black sat on a bridge and drew these images of the debris. 18" × 24" * 3-color screenprint on 100# French cover stock * Signed & numbered edition of 97