60 results for "Amg sparta scar" between $5.00 and $25.00

Crew: Cinematographer:Bob Williams, Composer (Music Score):Simon Lambros, Director:Julian Richards, Executive Producer:Charlie Savill, Executive Producer:Keith Hayley, Executive Producer:Pauline Burt, Executive Producer:Robert Bevan, Producer:Julian Richards, Producer:Mike Tims, Producer:Sabina Sattar, Screenwriter:Al Wilson, Screenwriter:Julian Richards

Deicide 's first album for Earache is a short (about 27 minutes) blast of old-fashioned death metal. Cleanly produced by Neil Kernon ( Cannibal Corpse , Queensrÿche ), the band sounds appropriately brutal with synchronized dual-guitar shredding by Eric Hoffman and Brian Hoffman (who also manage about 17 solos between the two of them), metronomic drumming by Steve Asheim, and Glen Benton's bass guitar and deep growl (sometimes double-tracked with higher-pitched vocals). In case there was any doubt...

Sparta's debut EP showed promise, but Wiretap Scars is a sound reward. It fills the void where At the Drive-In was with focused post-hardcore frazzle, leaving the relentless experimentation to Cedric Bixler and Omar Rodriguez in Mars Volta and focusing instead on a terse melodic sense. Wiretap Scars is accessible, but on Sparta's own terms. "Mye" and "Cataract" return from the EP; the reflective "Echodyne Harmonic" has been more fully realized. "Mye" especially reveals the influence of Fugazi 's...

Previewed by "Twerk" -- their booty-disco, "Maniac"-quoting team-up with Yo Majesty -- plus the uplifting perfection of the five-star track "Raindrops" -- sung by member Felix Buxton with Auto-Tune on the assist -- Scars is an obvious return-to-form effort for Basement Jaxx , reigning in the big conceptual ambition displayed on Crazy Itch Radio for better or worse. Getting back to everyday business sounds like sweet relief on tracks like the good-timing "Twerk," and while this is the lunk-headed...

By the time their third studio album, the cumbersomely titled A Mark, A Mission, A Brand, A Scar , was released in the summer of 2003, Dashboard Confessional had long been poised as the band that would bring emo crashing into the mainstream. Never mind that Weezer already did that, before this kind of music even had a name -- during the late '90s, while Weezer was away, emo became an underground phenomenon ignored by the press and built by word of mouth by sensitive teenagers eager for music that...