266 results for "Adobe Pueblo Raku Art Vase" between $1.00 and $4,000.00

During the Depression in the first quarter of the 20 th century, potters were significantly affected in the loss of interest in their wares and loss of income from no sales. It was about this time that they began to make items that were recognizable by the non-Native population of Santa Fe and the surrounding areas. They made items that they thought the New Mexican households would recognize as useable, not just decorative. There were sugar bowls, candle holders, salt and pepper shakers, pitchers...

This is a rustic western tapestry hanger wall rack, adorned with a hand painted southwestern scene or western art, for rustic southwest style or western decor. It's easy to display your favorite colors, this tapestry rack or rug hanger makes a beautiful wall hanging out of any rug or tapestry.

Unquestionably the outstanding Tesuque Pueblo painter and one of the most outstanding of all the pueblo artists was Patrick Swazo Hinds (1929-1974). Adopted at the age of 9 by a California family, Swazo grew up off the reservation but returned every summer to Tesuque Pueblo. It is this exposure to a different way of life that is probably responsible for his style of art and that, in turn, is responsible for his wide appeal and his great success as an artist.

Tesuque rain gods are small, seated figurines with rounded heads, slender arms, slit eyes, “mitten” hands, and extended legs. Rain gods were one of several types of “gods ” made at Tesuque Pueblo for the tourist trade beginning in the 1880s. Some gods held children, animals, or objects; others held parts of their own bodies such as their shoulders (gods of pain) or stomachs (gods of the bellyache or gods of hunger). The ones holding pots on their laps were called “gods of rain.” They outlasted the...

Fireplace. Front Porch. Patio/Terrace/Veranda. Columned Front Entry. French Doors. Columns-Interior. Bay/Box/Bow Windows. Private Outdoor Living. Window Wall. Courtyard. Built-In Grill. Art Niche. Breakfast Nook. Built-In Cabinets, Shelves, Desks. Family Room. Formal Dining Room. Great/Gathering Room. Kitchen Island. Laundry Room-Main Floor. Master Suite-Main Floor. Office/Study/Den/Library. Open Floor Plan. Outdoor Fireplace. Rear Porch. Side-Loading. Sitting Area. Snack...

Jennie Laate was an accomplished potter at her home of Acoma Pueblo. She married a Zuni Pueblo man and moved to his pueblo. Jennie was the art teacher at Zuni High School where she taught the students how to make pottery. She taught them all the traditional techniques of gathering, cleaning and working the clay, and gathering and processing the slip for the paints. The school had an electric kiln so she let the students use it rather than fire their pottery outdoors. She felt that learning to process...

This item was presented in the Indian Pueblo Cultural Center's special exhibit TIMELESS BEAUTY in Albuquerque, New Mexico, January-August 2008. This exhibition celebrated the achievements and impact made by some of the most renowned Pueblo women artists on the preservation, exposure, and development of the indigenous and contemporary art forms of Pueblo people. Curated by the IPCC in collaboration with Santa Fe-based Adobe Gallery and the School for Advanced Research, TIMELESS BEAUTY showcased a...

José Vicente Aguilar was born at San Ildefonso Pueblo but apparently moved to California early in life as he is known to have attended Hollywood High School in 1944. He then was in the U. S. Army during World War II, attended Otis Art Institute (CA) from 1947-1949, then the University of New Mexico, followed by attendance at Hill and Canyon School of Arts in Santa Fe in 1949-1950. He continued his education at Los Angeles Trade Technical Junior College in 1951, then Los Angeles County Art Institute...

Zuni multicolor inlay is an extremely popular expression of Zuni art. The rainbow of colors used is derived from specially cut pieces of turquoise, coral, jet and mother-of-pearl. Each of these represents a cardinal direction—turquoise representing west, coral (red) representing south, Mother-of-pearl (white) representing east, and jet (black) representing the nadir.

Southwest Textiles tells the fascinating story of the history and evolution of Navajo and Pueblo fabric arts. Over 250 outstanding examples from the Southwest Museum's collection are reproduced in full color, along with 57 details of these works and 49 historical photographs. Also included are absorbing accounts of the early collectors of these superb textiles and some of the colorful individuals who were instrumental in founding the Southwest Museum and shaping its collections.

Make Children's Portraits into timeless art treasures! Todd teaches you how to create painterly brush strokes, photo edges and advanced B&W conversions Lessons: Lesson 1 : Advanced B&W Conversion Utilize color information and Adjustment Layers/Channel Mixer to produce creative Grayscale conversions. Lesson 2 : Advanced Watercolor Technique Use advanced blend modes and additional painting steps to create painterly images from your photos. Lesson 3 : Art History Brush Painting Create wonderful brush...

Sanchez was eight times Governor of San Ildefonso Pueblo, was a farmer, and earned enough from sales of his paintings to support a very large family. His works were exhibited at the Milwaukee Art Institute, Yale University, Museum of Modern Art in New York City, Stanford University, and the Gallery of Fine Arts in Muskegon, Michigan. The fresh color and action and the great simplicity of his paintings made his paintings well received in all these exhibits.

This jar has collection data written in ink on the underside that identifies the maker of the jar and states that it dates to 1938 and belonged to Dr. Bertha Dutton. In the course of a distinguished career, Dr. Dutton served for twenty five years (1936-61) as curator of ethnology at the University of New Mexico, and for ten years as Director of the Museum of Navajo Ceremonial Art (now the Wheelwright Museum). She published books and articles. She excavated a house ruin at Chaco Canyon with Dr. Edgar...

Louis Naranjo and his wife, Virginia, were true innovators of the figurative pottery tradition of Cochiti Pueblo. They crafted their figurines at the kitchen table in their comfortable adobe home at the pueblo. They worked almost every day crafting their art with great care, joking and exchanging the gossip of the day as they went along, accompanied by television, children and grandchildren. Their art provided a good life for them and it provided a legacy that will be with us for another century...

Romando Vigil was one of the San Ildefonso self-taught artists in the early part of the 20th century. He was a leader within the San Ildefonso Watercolor Movement, a movement that caught fire during 1915 to 1917. It fostered an art form unmatched in the culture history of the world. Although Vigil left the pueblo and lived in California for many years, he continued to paint pueblo images from memory. He returned to San Ildefonso and painted for about 10 years before his death in 1978. This painting...

Peña is well represented in the collections of the Denver Art Museum, Cleveland Museum of Art, Museum of the American Indian (Smithsonian), Museum of Fine Arts Houston, Museum of Northern Arizona, Millicent Rogers Museum (Taos), Southwest Museum (Los Angeles) and the Laboratory of Anthropology of the Museum of New Mexico.