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HEAVY METAL BEBOP (JPN) (24BT) (RMST) (MLPS)
Recorded live in New York, this explosive set of jazz, funk, and rock material was without question ahead of its time. Michael and Randy 's use of electronically altered saxophone and trumpet sounds is amazing. ~ Paul Kohler, All Music Guide
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WHO SELL OUT (JPN) (24BT) (RMST) (MLPS)
Pete Townshend originally planned The Who Sell Out as a concept album of sorts that would simultaneously mock and pay tribute to pirate radio stations, complete with fake jingles and commercials linking the tracks. For reasons that remain somewhat ill defined, the concept wasn't quite driven to completion, breaking down around the middle of side two (on the original vinyl configuration). Nonetheless, on strictly musical merits, it's a terrific set of songs that ultimately stands as one of the group...
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GOOD TIMES (JPN) (24BT) (RMST) (MLPS)
No one could have known it at the time, but Elvis Presley had only a tiny handful of studio albums left ahead of him when Good Times showed up in the late winter of 1974. Recorded in the summer and fall of the previous year at Stax Studios in Memphis, this ten-song album caught the artist near his late-career peak -- he still had better, greater records left to do, but there's nothing here that mars the image or the legend. Whether trading in rock & roll or soul sounds or accompanied by a full-blown...
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POT LUCK (JPN) (24BT) (RMST) (MLPS)
One of the great ironies about Pot Luck with Elvis is its title, from which one could reasonably infer that it was a collection of leftovers. In fact, Pot Luck was Elvis Presley 's last collection of new secular material recorded with a specific album release in mind until seven years later, and a lot less of a "pot luck" affair musically than any of the non-hits studio albums that were ever released of Elvis ' material. The album is still a bit uneven, continuing the decline begun with Something...
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