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Films about other art forms have a problem of not being able to shake the fact that they run the risk of pretension. Ronald Neame's THE HORSE'S MOUTH (1958) is one of the rare exceptions like Ed Harris' POLLACK (2000) that really takes the time to get into the character of the artist and not try to come up with some fixed, shallow description of what their art meant. Alec Guinness takes his Ealing Comedy days and pours them into the screenplay he wrote and one of the best performances more >>

Hanks stars as Sam Baldwin, a widowed father who, thanks to the wiles of his worried son, becomes a reluctant guest on a radio call-in show. He's an instant hit with thousands of female listener, who deluge his Seattle home with letters of comfort. Meanwhile, inspired in equal parts by Sam's story and by classic Hollywood romance, writer Annie Reed (Ryan) becomes convinced that it's her destiny to meet Sam. There are just two problems: Annie's engaged to someone else, and Sam doesn't' know - yet...

Pulitzer Prize-winning playwright and screenwriter David Mamet first sat in the director's chair for this sly, merciless thriller, one of the most original and acclaimed films of the eighties. Mamet's witty tale of a therapist and best-selling author (Lindsay Crouse) who must confront her own obsessions when she meets an attractive cardsharp (Joe Mantegna) is as psychologically acute as it is full of twists and turns, a rich character study told with the cold calculation of a career criminal.