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The magnetic beauty and fragile, train-wreck-like magnetism of a down-at-heel recently exiled housewife, Betty (Marie Trintignant), is the locus of Claude Chabrol's astounding examination of sexuality, betrayal, and humanity within the dark and mysterious lower depths of the Parisian Bourgeoisie. As the film begins, the camera follows a bedraggled Betty as she enters a bar, downs several whiskies and leaves with a strange older man. Once they arrive at their destination, a seedy bar called the Hole...

No, the girl-buddy cops here aren't cosmetic company ombudsmen, but sympathetic lower-eschelon cops trying to prove their mettle on a lousy undercover detail in a tacky strip bar. Will they bring an assassin to justice--or just be manhandled by cheesy businessmen? Illuminated by the presence of buff British kickboxer Crawford.

The title means discontented boredom in French, and it is the peculiar ailment of Martin, a very unhappy philosophy professor. When he picks up the tab at a bar for a poor artist and receives a painting for his troubles, it leads to a relationship with one of the artist's models -- a 17 year old beauty named Cecilia. Soon, the two are engaging in daily rendezvous that quickly become an obsession for Martin, who has realized that Cecilia is something of a blank slate -- she shows no emotion during...