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/ BOX DIMENSIONS: 3.00" W. X 2.50" H. X 3.00" L. / BOX WEIGHT: .45 LBS.
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Ernie Ball's Slinkys are probably the most well-known line of electric guitar strings in the world. This series of Slinkys is made from stainless steel windings wrapped around tin plated, hex shaped steel core wire. The sound is brighter with an edge to it that the NPS Slinkys don't have. Whatever the material, it's hard to go wrong with Slinkys.
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Original Metal Slinkys in holiday colors (red and green). Sold as a set.
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Clever lyrics abound with goofy puns, zany word plays, and tongue twisters sure to delight the upper elementary ages. With inventive tunes and fabulous guitar work, Nancy shares her hilariously upside down perspective with sensitivity to values such as personal integrity and ecological awareness. As an alternative to popular culture so often peddled to this age group, "Escape of the Slinkys" cant be beat.
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B. Imprint Color: Athletic Gold 123, Black, Brown 168, Burgundy 202, Carolina Blue 543, Emerald Green 355, Gray 4, Hunter Green 357, Magenta 233, Metallic Gold 874, Metallic Silver 877, Navy 282, Orange 021, Other - PMS Match Fee $30.00, Pink 183, Process Blue, Purple 268, Red 485, Reflex Blue, Teal 327, White, Yellow 102
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A sampling: Can't sleep? Instead of counting sheep, listen to "Flying Toes" and count "1 dragonfly sneeze, 1 chattering breeze, 1 guinea pig bouncing on springs." In "Hats on Bees," you'll find "flies with pants, suits on plants, glasses on nearsighted ants." And then there's "Frank Stein," a rib-tickling twist on those nighttime, monster-in-the-closet fears, about a little ghoulie who huddles in his coffin, clutches his "teddy snake" and waits for his "mummy" to slither up the stairs and assure...
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The Classical period comes alive with The Classical Spirit, part of an outstanding series that features an integrated arts approach to guide you through the different musical eras. Repertoire from both familiar and lesser-known composers are included along with commentary about the composers' lives and social changes between 1750 and 1820. Repertoire in Book 1 ranges from the early-intermediate through intermediate levels.
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An exciting new collection of keyboard gems from 18th, 19th, and 20th centuries, designed as a companion volume for Music Tree 3. The pieces are by the great masters from each period who wrote music easy enough for students at this level. All are original keyboard works, selected to provide a well-rounded diet of musical periods, forms, type and styles, all in pieces with sure-fire student appeal.
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(US)