8 results for "Mackie Onyx 4880" between $0 and $6000

	ClubMac	$4,649		midweststereo.com	$5,899
	bayviewproaudio.com	$5,899		musicgear4u.com	$5,899
	mwaudio.com	$5,899		instrumentpro.com	$5,899

8-bus master section. Balanced 1/4" I/O. 8 stereo aux inputs with 60mm faders. 4-band fixed Perkins EQ with 4-segment LEDs. 8 aux. sends with Mute and AFL Solo. 8 groups with 100mm faders, Main Mix assign, Pan, AFL Solo and 4-segment LEDs. 8 Aux Master/Group Flip switches. 10 x 2 matrix. 4 mute groups. XLR talkback mic input. Talkback on all aux, groups, and main mix. 100mm Main Mix faders. Phones/Monitor section with Solo, Monitor, and Phones level. Main Mix to Monitor/Phones switch...

Features include 8 Aux Sends with Stereo Link function for up to 4 IEM mixes; an Aux/Group Flip function; an 10x2 Matrix; 4 Mute Groups; 8 stereo Aux inputs; and an optional rack-mountable redundant power supply. Each channel provides 4-band Perkins EQ w/bypass, XLR and 1/4" inputs plus an insert, direct output (via DB25 connector), a 100mm fader, and Mute and PFL Solo switches. The master section and channel strip configuration are the same across the line, the mixers differ only by channel count...

advanceddesignky.com

$5,899

planetdj.com

$5,899

* Premium Onyx microphone preamps on every channel. * 4-band Perkins EQ with hardware bypass. * 48V Phantom Power, Mic/Line, 100Hz High-pass, and Polarity switches. * 8 Auxiliary sends with Pre/Post switches. * Auxiliary Send Stereo Link feature for IEM applications. * Direct Outputs on DB-25 connectors (8 channels per connector). * 4 segment LED level indicators. * Smooth, long-throw 100mm faders. * Mute, and PFL Solo switches. * Balanced XLR mic and 1/4" line inputs, plus 1/4" insert jack...

When it comes to live sound, the margin for error is tight. Nobody knows this better than regional sound professionals, medium-sized venues, and houses of worship. Unlike the major touring and live sound companies, these hardy folks must make a difficult choice when buying a live sound console; it’s the age-old tradeoff between channel count and sound quality. Pay for quality, and you have to find some way to cram all your mics and instruments into 16 or fewer inputs. Go cheapo, and you know it’s...