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Many musicians find that Latin Jazz and Salsa are still very difficult to feel and play in an authentic, relaxed way. This type of music with its unique rhythmic concept presents quite a challenge for the aspiring young performer. Mr. Campos’ books titled “Salsa: Afro-Cuban Montunos for Piano” and “Salsa: Further Adventures in Afro-Cuban Music” have done a great service to the musical community by making Latin musical styles more accessible to students worldwide. In his two previous books, Mr. Campos dealt...
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Fania Records was formed in March 1964 by Johnny Pacheco and lawyer Jerry Masucci. Originally just a tiny independent, the label was distributed to local stores out of the trunk of Pacheco's car. By 1967, Masucci's intrepid management had begun to pay dividends. After LPs by Ray Barretto, Willie Colón, Joe Bataan, and Pacheco himself became popular within the New York salsa community, Masucci promoted a jam-session concert at the Red Garter. The Fania All-Stars' first two LPs, Live at the Red Garter...
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In this 85 page book, Latin Jazz Piano, Vol. 1, Mr. Campos breaks new ground by presenting eight different songs in eight different authentic Latin styles such as Salsa, (chord progession to "A Night In Tunisia"), Mambo, ( chord progression to "Manteca"), Nanigo, ( chord progression to "Afro Blue"), Cha Cha, ( chord progression to "Song For My Father"), Bolero, ( chord progession to Besame Mucho"), Songo, (chord progression to "Green Dolphin Street"), Merengue, (chord progression to "April In Paris...
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Fania Records was formed in March 1964 by Johnny Pacheco and lawyer Jerry Masucci. Originally just a tiny independent, the label was distributed to local stores out of the trunk of Pacheco's car. By 1967, Masucci's intrepid management had begun to pay dividends. After LPs by Ray Barretto, Willie Colón, Joe Bataan, and Pacheco himself became popular within the New York salsa community, Masucci promoted a jam-session concert at the Red Garter. The Fania All-Stars' first two LPs, Live at the Red Garter...
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9 tracks: Feels so good, Iluvia, Affirmation, Blues P.G, Seis Comerio, Que Alguien Me Diga, You're my everything, Nido de Amor, El Nazareno ****Personnel: Pedro Guzman, Rolando Cotto, Candido Reyes, David Fernandez, Yan Carlos Altimes, Wilfredo Cruz, Erick Figueroa, Nestor Prestamo, and others.
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Jazz-Rock Fusion Volume 1
Topics covered in this two-volume collections include: 16th-note feels, double time feels, melodic scales, fusing high-hat patterns, odd time signatures, paradiddle jazz inversions, bass drum independence, funk in 7/4, variations in 7/8, open high-hat work, drum transcriptions, and more.
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33 rpm records carry our lifetime guarantee. We have provided images of the exact 33 rpm record you will be receiving. Please refer to these images for the condition of the album cover and the song playlist. All 33 rpm records listed in this department have been graded very good or better condition. Please see our Grading Guide for how we select the grade of our records.
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Billy's latest Grammy nominated CD on ArtistShare!
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Volume One in this series of seriously intoxicating Latin and American Bossa-Samba-Jazz sounds! It all began in the '50s when composer Antonio Carlos Jobim, inspired by West Coast Jazz, helped to form a new music that blended together gentle Brazilian Samba rhythms and melodies with cool-toned improvising. These compilations contain the results of Jobim's influential musical experiment, as they feature a myriad of artists serving up a cocktail blend of rare original Brazilian and American Bossa Nova and Jazz...
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Classic Jazz - Funk Mastercuts Vol. 1.Mastercuts.
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Brian Culbertson-After Hours Zachary Breaux-Where is the Love Sam Riney-Seduction Joe McBride-Highland Park Peter White-Dream Walk The Crusaders-Mercy, Mercy, Mercy Brian Culbertson-Come To Me Sam Riney-Everytime We Kiss Billy Joe Walker, Jr.-Angels Dance Richard Elliot-After Dark Craig Chaquico-Autumn Blue Rick Braun-Cadillac Slim Everette Harp-When I Think of You
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(US)
