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The Trumpet Kings Meet Joe Turner
Description This album features a most unusual session. Veteran blues singer Joe Turner and his usual rhythm section of the mid-'70s (which includes guitarist Pee Wee Crayton) are joined by four notable trumpeters: Dizzy Gillespie, Roy Eldridge, Harry "Sweets" Edison, and Clark Terry. On three blues (including the 15-minute "I Know You Love Me Baby") and "Tain't Nobody's Bizness If I Do," the group stretches out with each of the trumpeters getting ample solo space. It is not a classic outing (a little...
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$9
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1974, Pablo label, 2310-0709-A1/B1, LP, Stereo
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$11
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Personnel: Count Basie (piano, organ); Big Joe Turner (vocals); Eddie "Lockjaw" Davis, Zoot Sims (tenor saxophone); Harry "Sweets" Edison (trumpet); J.J. Johnson (trombone); Irving Ashby (guitar); Ray Brown (bass); Louis Bellson (drums).Recorded at MGM Recording Studios, Los Angeles, California on December 11, 1973. Includes original release liner notes by Benny Green.Digitally remastered by Phil De Lancie (1994, Fantasy Studios, Berkeley, California).This 1973 recording features two of the great...
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When Herald Loomis arrives at a black Pittsburgh boardinghouse after seven years' impressed labor on Joe Turner's chain gang, he is a free man-in body. But the scars of his enslavement and a sense of inescapable alienation oppress his spirit still, and the seemingly hospitable rooming house seethes with tension and distrust in the presence of this tormented stranger. Loomis is looking for the wife he left behind, believing that she can help him reclaim his old identity. But through his encounters...
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But by the tail end of the decade, Turner's essential contributions to blues history were beginning to receive proper recognition; he cut LPs for BluesWay and Blues Time. During the '70s and '80s, Turner recorded prolifically for Norman Granz's jazz-oriented Pablo label. These were super-relaxed impromptu sessions that often paired the allegedly illiterate shouter with various jazz luminaries in what amounted to loosely run jam sessions. Turner contentedly roared the familiar lyrics of one or another...
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* Ham Hocks And Cornbread [Box].
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The Very Best of Big Joe Turner Big Joe Turner / CD / 1998 Used Price
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$4
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Joe Turner`s Come and Gone
Joe Turner`s Come and Gone Description: Description not available. Author: Wilson, August ISBN: 9781559362986 Format: Hardcover Pages: 86 Publish Date: 09/01/2007 Publisher: Theatre Communications Group Language: English Portions copyright 2005 Muze Inc. All rights reserved.
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$19
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CDs. The Trumpet Kings Meet Joe Turner
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But by the tail end of the decade, Turner's essential contributions to blues history were beginning to receive proper recognition; he cut LPs for BluesWay and Blues Time. During the '70s and '80s, Turner recorded prolifically for Norman Granz's jazz-oriented Pablo label. These were super-relaxed impromptu sessions that often paired the allegedly illiterate shouter with various jazz luminaries in what amounted to loosely run jam sessions. Turner contentedly roared the familiar lyrics of one or another...
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Henry Loomis turns up at a boardinghouse to look for his missing wife.
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Known as "The Boss of the Blues," Kansas City-born Big Joe Turner had a lush booming voice that, roaring above Pete Johnson's boogie-woogie piano, shook up the blues and helped invent rock 'n' roll. Included among the 30 classic tracks spanning 1951-59 on this newly compiled homage to Big Joe's outsized greatness are the #1 R&B singles "Honey Hush" (also #23 pop) and "Shake, Rattle And Roll," plus the Top 5 hits "Sweet Sixteen," "Don't You Cry," "Chains Of Love" (also #30 pop), and "Corrinne Corrina...
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A collection of 40s sides by the Kansas City team of singer Joe Turner and pianist Pete Johnson -- recorded a few years after their initial rise to fame in the 30s, but still very much at the height of their early powers! The style is bluesy jazz -- with Johnson providing the core groove on piano, and Joe singing over the top in that amazing tone of his. Titles include "SK Blues", "Johnson & Turner Blues", "Howlin Winds", "Watch That Jive", "Doggin The Blues", "Rocks IN My Bed", and "Nobody In...
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The complete script of the play. Each denizen of the boardinghouse has a different relationship to the Black past of slavery, as well as to the urban present. 6 men, 5 women.
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(US)
